Last Minute MLA Format Reminders

Make sure your papers or film project analyses are formatted according to MLA style guides:

 MLA Formatting from Purdue OWL





MLA Work(s) Cited from Purdue OWL





Complete MLA Format Guide from Purdue OWL

Final Exam Essay Question:

The online portion of the exam has been opened. You have been given PLENTY of hints on how to do well on this exam, but the one open-ended portion of the exam is the written response. Please be familiar with the following BEFORE beginning the exam:

Taking any one of the nine "narrative" films that we watched over the course of the semester, write an essay in which you discuss how the key element that we focused on for that particular film functions in the film--and focus on how viewer expectations were met (you can also watch Lost in La Mancha to discuss production).

I am looking for comprehensive scope here rather than individual detail, but one in which you make a connection between the particular element of the film and how it manipulates or guides the viewer to certain outcome or perspective.

As a reminder, here are the feature films we watched for class:

• Purple Rose of Cairo: Any element can apply to this film, since it’s primary focus was viewer expectation
• Man with the Movie Camera: Form/Genre
• The Player: Production
• Lost in La Mancha: Production
• Adaptation: Narrative
• Barton Fink: Mise-en-scene
• Ed Wood: Cinematography
• The Five Obstructions: Editing
• Irma Vep: Acting

Singin' in the Rain: Sound

This essay may be pre-written, but you cannot copy and paste into the window. You must re-type you answer, but this will help you revise your argument and avoid typos.

The Graduate for Wednesday Analysis: Focus on LAST Scene in Sequence

For Cinematography Analysis in Mid-term Exam:




Scene following soon after in hotel where he calls Mrs. Robinson:




Following scene in the hotel room with a cut to black:




Scene for full analysis following hotel room scene:

Actors as Elements of Film

Early Film Reflects the Stage

Griffith Learns to Edit w/ Lilian Gish (beginning the director/actor relationship)

Power of the Closeup for Actors on Screen

Humphrey Bogart is the epitome of the studio-generated Star, who went from being typecast as a gangster and became instead the cynical film-noir hero who reveals his noble side at the end of the film.

 Tom Cruise @ IMDB - A perfect PERSONA actor. His catalog is basically a rewriting of the same character for different narratives: the likeable bad boy gone good routine.  He is always confident, arrogant, and self-serving at a movie's start, but life or circumstances teach him a valuable lesson that makes him a better person.  He is as close to the studio actor as it used to exist within the old studio system. If you watch any interview with him, he maintains that persona continuously, just as a studio would require.
 

Johnny Depp @ IMDB

Reminder: Sustainable Santa Fe Student Film Competition Deadline is April 2.

Go to this website if interested in entering a film for the Sustainable Santa Fe Student Film Competition.  Deadline is April 2.  You COULD use this film for your final project if you have been working on it.

Interesting Film for the Role of Digital in Movies

If you can tolerate Keanu Reeves monotone narration, check this out--it may also give you ideas for a paper topic:

Side by Side (http://dvd.netflix.com/Movie/70239473)

Short Stories for In-Class Editing Project

Flash Fiction

Mid-Term Exam

The online portion of the Mid-Term Exam is now available to take in Angel.  In addition to a random collection of of 75 questions drawn from a pool of around 250+, you will need to complete a written essay response to the question below.  Although you are ENCOURAGED to write this essay before beginning your exam, you must re-type the essay in the exam (you should NOT be able to copy and paste).  If you have any questions or concerns, make sure you ask BEFORE you begin.  Once the exam is started, you have 200 minutes to complete it, including the typing of the essay.

Essay Question:

Watching Movies based on Form & Content

Taking into consideration the elements of film that we has discussed thus far in the semester (narrative, genre, mis-en-scene, and cinematography) as well as view expectations, assess how your watching of movies has changed since the beginning of the semester by focusing on your favorite film (defined by whatever criteria you wish). Although I am looking for a demonstrated use of the terminology in context, make sure you write a cohesive essay. This essay may be pre-written, but you cannot copy and paste into the window. You must re-type you answer, but this will help you revise your argument and avoid typos.

Hint: Make sure you begin with a solid argument that you set out to prove (in the form of a thesis), even if it is as basic as: Tarrantino bends genres in Pulp Fiction through his manipulation of narrative structure and mise-en-scene, effectively demonstrated in the film's cinematography.

Ed Wood Cinematography Analysis & Mid-Term Reminder

Ed Wood Cinematography Analysis

Assuming you were in class Wednesday before Spring Break (if not, pay close attention), you should have a very detailed shot-by-shot breakdown of the scene in Ed Wood (available in the Screening Room) that begins with the bedroom scene following the reading of the reviews in the bar (7:19), and ending with Ed and Dolores talking before Ed meets Georgie Weiss (11:05). You should have focused only on elements of cinematography in your note-taking (using the Cinematography Worksheet as a guide), but your homework that is due when we return from Spring Break is to explain WHY these elements of cinematography were chosen by Tim Burton (and his cinematographer Stefan Czapsk) in relation to the elements covered thus far, narrative and mise-en-scène. You CAN use the notes that you made in class if their is adequate space for clear explanation, but it is likely preferable that you transfer your notes over to a print-out of the the Cinematography Worksheet, printing out additional pages as needed.

Mid-Term Reminder

When we return, we will take the mid-term exam, which will consist of an in-class portion to be taken on March 13th and an online portion to be taken over the weekend of March 13th through 18th.  I believe I have already given plenty of information on how to study for the online portion of the exam.  The in-class portion will be an analysis of a scene from a film we have not seen, with the cinematography worksheet as a basis for analysis but covering all elements covered thus far in the course.  Monday's class discussion should address any questions or confusion over terms and procedures.

Weekend Reminder

• Read "Mis-en-Scene" Chapter 5

• Watch Barton Fink for Wednesday (available in Screening Room now and in library on Monday)

Hitchcock's Storyboarding: Psycho & The Birds

Although critics and film historians can use storyboarding to build on controversy, as conveyed in this recent blog post about changing the aspect ratio of Hitchcock's Psycho for its Blue-Ray release, it is useful to see how crucial storyboarding is to the visual presentation of story on film.  Although it is possible the shots in Psycho could have still materialized without storyboarding, the cost of processing etc. almost necessitated extensive storyboarding for any complex mixture of shots (as one online critic complains, this explains why newer films that don't use "film" fail in their storytelling).

See how closely related Saul Bass's storyboards for the Psycho are to the actual footage of the film (I suggest turning off the sound for comparison), but also note departures from the storyboard as well:

 

Watch the film up to about 1:40:

 

Of course now you can start to see where Hitchcock built more suspense by cutting the attack scene back from the original storyboard, saving the shower curtain being pulled down until after Anthony Perkin's character has left. Vivian Leigh is still breathing, we have seen her block some blows (despite the sound of knife in flesh), so maybe she will survive

 

And finally the focus on the drain and juxtaposition with the eye, a technique used to full effect for the film's closing scene (turn sound off--this is an altered clip), but one notably missing from the shower scene storyboards:

And one that has oft been referenced and spoofed:

The Birds provide a more effective demonstration of how storyboards can be used to visually build suspense as we "see" the plot unfold on the boards and on screen.  Here is a basic juxtaposition where the viewer makes the connection between the leaking gas and obvious outcome (see textbook for Hitchcock's distinction between suspense and surprise):

But the playground scene with the growing murder of crows works on multiple levels because we slowly realize just as the character slowly realizes that something is out of the ordinary:

Charlie Kaufman on the Portal to His Brain

Adaptation & Elements of the Narrative

We will be discussing narrative in detail on Monday and Wednesday of next week, using Adaptation as a basis.  As you have or will find out, Kaufman's script defies all categorization, so it provides a wonderful lab for breaking down the elements of narrative.  We will start by discussing this in class, but if necessary, I will send you to the discussion forum as a follow up (so be prepared to avoid homework).

You can view Adaptation via NetFlix or the library also has a DVD copy, as do I.

Speaking of homework, just a reminder that both the DVD for the textbook and the chapter quizzes are a great way to keep up and review so that the mid-term does not catch you off guard.

Also remember to start thinking of proposals for your final projects, be they research papers, web projects, or film projects.  The assignment is relatively open to interpretation based upon the the concept of the class, but it must meet approval first before it is accepted for grading.  You should be well on your way by the mid-term, so be talking to me about ideas as soon as possible, especially if you are planning to do a film project.

In case there is a dearth of class discussion on Monday, the outside-class discussion assignment for next week's Narrative chapter and the film Adaptation is in the Narrative folder.  If necessary, this will be the last discussion posting for a while, so be prepared for future assignments that need to be prepared beforehand for class presentation.

Follow the instructions given below (or in the discussion) and ask for clarification in class on Monday if this is not clear. 

Pick a scene from Adaptation and pick out as many of the various elements of narrative that are present and discuss their interaction.  Try to pick a scene where you can at least discuss the difference between diegetic and non-diegetic material, but definitely discuss the relationship of plot to story and chronology AND narration to narrator and narrative.  If relevant, discuss issues such as order, suspense, characterization, and setting.  See the DVD tutorials and read the textbook's analysis of John Ford's Stagecoach (which you can watch on NetFlix if you want).  This is a FIRST-COME/FIRST-SERVE post, meaning if someone has picked a scene and posted it first, you need to pick a different one.

Screening Today

Tuesday Screening of SF Faculty Shelley Rogers film:

"What's Organic about Organic?" @ 6pm in WA-104

 Extra credit for bringing in a review!